Have sprocket holes made these artifacts along the top?, shot with flic film elektra 100

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Sunlight in church [Yashica FX3 Super 2000, f/1.9 50mm, Ultramax 400], shot on yashica fx-3 super 2000 with kodak ultramax 400
Cathedral in Naples, Nikon F-3, 28mm, Portra 400, shot on nikon f3 with kodak portra 400
Vatican city, shot on pentax super-a with kodak portra 400
First time fighting TSA to hand check my film on a recent trip abroad [Minolta xg-m 50mm Rokkar-x 1.4 on Delta 400 and portra 800], shot on minolta with ilford delta 400
Trying underexposing Kodak Gold 200 (rated 400iso) [Chinon CP-6 + Tamron 28-200 3.8-5.6], shot on chinon industries inc. with kodak gold 200
Plaza de España, Seville [Nikon F4, AF Nikkor 35-70 f2.8, Portra 800], shot on nikon f4 with kodak portra 800
Sunbathed walls. [Canon AE-1P, Kodak Gold], shot on canon ae-1 program with kodak gold 200
"Int. Church" Canon AE-1 Program, 50mm, Kodak Portra 400, shot on canon ae-1 program with kodak portra 400
Paris shot on Contax G1, shot on contax g1 with kodak
Still trying to figure out how to shoot film. Minolta Srt 200 / Kodak gold 200, shot on minolta srt 200 with kodak gold 200
Hagia Sophia | Canon AE-1 | Kodak Ultramax 400, shot on canon ae-1 with kodak ultramax 400
Got my first rolls developed! Any thoughts?, shot on olympus om-1 with ilford xp2 super