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Putting alot of rolls into this technique. It's finally starting to produce what I had envisioned years ago. [Hasselblad 501c/Carl Zeiss 80mm/Ektar 100], shot on hasselblad with kodak ektar 100

Putting alot of rolls into this technique. It's finally starting to produce what I had envisioned years ago. [Hasselblad 501c/Carl Zeiss 80mm/Ektar 100]

TjLeClairredditkodak, ektar 100#2035
beachsunsetlong exposureoceanwavesailboatduskgolden hourwaterseahorizoncoastlandscape

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Split exposure. Newport Beach, California. [Hasselblad 501c/Carl Zeiss 80mm], shot on hasselblad
End Of Summer Blues | Mamiya 645 | Sekor C 45mm f/2.8 | Lomo 800, shot on mamiya 645 with lomography 800
Sunset [ Mamiya RZ67 | 180mm f/4.5 (+10 stop ND) | Provia 100F ], shot on mamiya rz67 with fujifilm fujichrome provia 100
Fuji GS645S - Kodak Portra 800, shot on fujifilm with kodak portra 800
The moon and the pier. [Mamiya rb67, sekor c 90mm 3.8, kodak portra 800], shot on mamiya rb67 with kodak portra 800
Coney Island Sunset | Leica M7 | Kodak Portra 800, shot on leica m7 with kodak portra 800
Bolsa Chica Half Frames • Portra 400 • Olympus Pen F • 40mm, shot on olympus pen f with kodak portra 400
Mamiya rz67 pro II, 65mm l/a, fuji velvia 50 home developed in cinestill e6 kit, scanned with fuji lanovia c-550, shot on mamiya rz67 pro ii with fujifilm fujichrome velvia 50
My First E6 Process [Fujifilm Velvia 50] by Hasselblad 2000fcm, shot on hasselblad with fujifilm fujichrome velvia 50
The split could have been a little more clean but these ones are a challenge to say the least. [Hasselblad 501c/Carl Zeiss 80mm/Ektar 100], shot on hasselblad with kodak ektar 100
A more abstract take on the split exposure technique. [Hasselblad 501c/Carl Zeiss 80mm/Ektar], shot on hasselblad with kodak ektar 100
Reds & Blues by the Sea | Mamiya 6, shot on mamiya 6