AnalogDB

CINESTILL 50D

  • 87 photos
  • ISO 50
  • color

Cinestill 50Daylight color negative film is re-formatted movie stock that has been prepared and packaged for use in still cameras. Utilizing a unique 'Premoval' stage, the traditional anti-halation rem-jet layer has been removed from this film, enabling its development in C-41 chemistry as well as the motion picture standard ECN-2 process. Benefitting from the distinct qualities of a low-speed motion picture stock, this daylight/5500K-balanced film is well-suited for outdoor shooting in bright conditions and exhibits a nominal sensitivity of ISO 50/18°. If exposing under tungsten/3200K-balanced lighting conditions, an 80B filter is recommended along with exposing the film at ISO 12 for normal results. The slow speed of the film offers extensive control over the highlight regions of a scene, maintains accurate, yet dynamic, colors, and is ideal for portraiture and landscape photography. Its high degree of sharpness and fine grain structure is also particularly well-suited for scanning.

Switzerland [Pentax 67 | 105mm 2.4 | Cinestill 50D]
Study in Lightbeams (Hasselblad 501cm,cinestill 50d and provia 100f, 80mm CB and 50MM CF)
Grand Canyon National Park · Mamiya 7ii 80MM · Cinestill 50D
1 roll without leaving the house | Hasselblad 500cm | Cinestill 50D
This is it, baby.... hold me [Mamiya 7ii | Cinestill 50D]
I kind of hate cinestill film. Fuji gs645w | Cinestill 50d
Lake Como, Italy | Contax G1 | 45mm F/2 | Cinestill 50D
[Mamiya 6 / 75mm / Cinestill 50D]
Cinestill 50d in Northern Arizona
Rx [Cinestill 50D | Contax G1 | 45mm f2]
Mountain Lake [RB67, 90mm, Cinestill 50d]
Mao [Fuji GA645, Cinestill 50D]
Formation [Plaubel Makina 67 - 80mm f/2.8][CineStill 50D]
You want Cinestill gas stations? I’ll give you a Cinestill gas station
Mountain fog [Canon TLb, Canon FD 28mm, Cinestill 50d]
Livigno, Italy [cinestill 50D, Leica M6, Boigtlander Ultron 35mm f2]
Bronica SQ-A, 80mm, Cinestill 50D
Sad Rodeo | Shot on the Bronica GS-1 | 65mm | Shot on Cinestill 50D
From my first roll ever of Cinestill 50D - Hasselblad 503cx - 80mm f/2.8 CF - Self Dev/Scan
Solargraph with Artemis 1 [Mamiya RB67, 50mm f/4.5, Cinestill 50D]
XPAN at the Ballpark - 45mm f/4 and 90mm f/4 on Cinestill 50D and Kodak Gold 200.
Off to greener pastures | Hasselblad 500cm 80mm 2.8 | Cinestill 50D
Kyoto, Japan · Mamiya 7ii 80MM · Cinestill 50D
Malibu Sydney | Canon AE1 | 50mm f1.8 | Cinestill 50D
Gumby [Cinestill 50D | Canon EOS A2 | Zeiss Planar T* 50mm f1.4 ZE]
Carmel Market [Minolta SR-T 101, Minolta MD 28 mm f2.8, Cinestill 50D]
A few square shots taken at the glorious Schönbrunn greenhouse in Vienna, love this place! [Zenza Bronica SQ-A | 40mm f/4 & 80mm f/2.8 | Cinestill 50D]
Double exposure on Cinestill 50D + Mamiya RB67
Fuji GW690. Cinestill 50D.
First time shooting Cinestill 50D and I’m convinced it’s magical [Leica M6, Voigtlander 28mm]
🎈Canon AE-1, 50mm, Cinestill 50D
Kinda radiation cooked. (6 flights since Halloween) [Hasselblad 500CM | Cinestill 50D | 50/150mm]
Lake days/ Contax G1/ Cinestill 50d
Cinestill 50D I Olympus om 2n I 135mm
First cinestill 50d roll. I’m in love! [contax g1, zeiss 28mm f/2.8/ zeiss 45mm f/2]
Summer of 1989 [Nikon F5, Nikkor 35mm f/2D, CineStill 50D @ EI 25 + Tiffen ProMist 1/4]
The world’s most-photographed village - Reine, Norway [Mamiya 645 Pro, Cinestill 50D+2]
1 roll without leaving the house | Hasselblad 500cm | Cinestill 50D
Broken 2.0 / Pentax point n' shoot, Cinestill 50D
Kiev 60, 80mm f2.8, Cinestill 50D
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